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This section of the NASA webpage also states that the string “DEMO_KEY” can be used in place of a real API key value, so that’s what we’ll use in this tutorial. You should be able to stay well within these limits while following along with our HTTP requests experiment. The rate limits for the demo API key are 30 requests per hour and 50 requests per day, as explained in the DEMO_KEY Rate Limits section of the same webpage. If you wish to create one anyway, follow the instructions on the webpage and use the API key you’re given instead of the DEMO_KEY we’ll be using. You’ll see in the Authentication section that you do not need a unique API key to explore the NASA dataset. If asynchronous requests are a better fit for your use case, check out the companion blog post called Asynchronous HTTP Requests in Python with aiohttp and asyncio. Our goal is to make simple GET requests quickly using a variety of Python packages, rather than to compare and contrast all of the features and subtleties of each package. We’ll use NASA’s Astronomy Photo of the Day API (shortened to APOD throughout the rest of the tutorial) and open today’s photo in our web browser. In this experiment-based tutorial, we’ll walk through brief code snippets that show how to make a simple GET request using 5 of Python’s most popular requests-related packages. For example, in the Python ecosystem there are thousands of packages related to making HTTP requests. This is true when evaluating a family of third-party software packages, too. When it comes to software development, there are almost always several different ways to achieve the same outcome. Extreme Car Driving Simulator Mod ApkĮxtreme Car Driving Simulator Mod APK is modified and an alternate variant of the original game, developed by AxesinMotion Software. 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By demonstrating our driving skills, we will strive to complete missions at full speed to smash all records in each game. This on-screen information will be of great help when we enter missions that require us to pass through certain radars or checkpoints.Įxtreme Car Driving Simulator includes vehicles of well-known brands such as Nissan, Audi or Bugatti that we can test both on city streets and on closed circuits. To feel the speed, Extreme Car Driving Simulator constantly shows the kilometers per hour at which we circulate. Pressing on the gas and brake pedals we will control the speed while turning the steering wheel to modify the trajectory as we need. The control system is fully adapted to touch devices, and this will allow us to get the most out of each car with ease. The experience while driving each car is very realistic thanks to the game's spectacular 3D graphics. Not only can we modify its color and certain aesthetic aspects, but we can also modify specific mechanical settings in order to adjust the driving experience to our needs as drivers. One of the most interesting aspects of Extreme Car Driving Simulator is that from the garage we can fully customize each of our cars. In addition, the title offers the option of completing different missions to obtain rewards that will allow us to unlock new cars. By driving freely along the streets of a huge city, we will test our ability to leverage the mechanical properties of each vehicle. Extreme Car Driving Simulator is a driving game in which we will get behind the wheel of several large cylinder capacity cars. when i'm grading (culling) images often i'll have a sequence and i'm zoomed into 100% to really scrutinize the focus and i'm skeptical that the jpg preview will allow me that level of detail. It would freeze so often, and lag after each slider adjustment. But after I’m done rating my images in LRC and I open them in Bridge, Bridge would not recognize or read those ratings. Light room classic would do a much better job if I let it import while I go do something else. If a photo needs more attention, I can open it in photoshop right from ACR.Īfter a trip with 8+ thousands of images, Bridge is the worts tool. (Almost, because ACR doesn’t have another circle and a handle to adjust the feather of a mask) Then I can open a bunch of photos in Adobe Camera RAW which is almost as good as develop in lightroom. I can easily rate them, then copy over to another drive/folder. Same with Photo Mechanic which I own too. Lightroom classic with my brain are not on the same wavelength. Later I build 1:1 previews for the images that survive my review and cull process once on the laptop - my preference is to delete few shots in the field. I only import into LRC with Minimal Previews built. Offloading takes only a few minutes (CF Express Type B and fast cards) using a Delkin Devices card reader and fast T4 cable. Lots of down time in the Safari Vehicle while we wait for our subjects - reviewing and rating is simple and easy to do across my 3 cameras while we wait. I am currently in the Maasai Mara for 20 days 17 game drives over the first 9 days in I have taken 10,300 lossless RAW images (and some long, for me, 8K video sequences) - that is 1,144 a day - normally 3/4 are taken in the morning game drive and the final 1/3rd in the late afternoon game drive. Leave all the rest until you have off loaded them onto a laptop/computer Most often I do what I recommend - leave the cards in your camera until full and review and initially rate images in camera - ONLY delete obvious misses. On rare occasions I use snapbridge to transfer one file or another to look at the focus or similar to help me ensure I captured the planned shot. True - I do not take a laptop into the field - if I did I would transfer files from cards onto it and deal with them then. I think FastRaw Viewer would work for this process as well. I may cull more images once imported into LR but I keep more images for a longer period of time and my culling process may take a lot longer. In other shooting situations my culling process may be much different, I may just remove the out of focus or obviously unusable images in PM and then import the images into LR to study more carefully. I am in and out of Photo Mechanic as quickly as possible. The time it takes to scroll through 4000 images is my primary concern. I don’t care if I am seeing the RAW image or the imbedded JPEG I just don’t want to wait for a preview. It reads the Z9 HE files fine, and I don’t spend much time on each image. Photo Mechanic has a lot of features that I don’t take advantage of, but it saves me time. I then import and edit in LR with my initial rating from PM showing in LR. The ingest process copies the files and the ratings into a folder on my storage drive. I open a contact sheet in PM from the card, rate the keepers 3+, then ingest to my storage drive based on ratings greater than 3. Not all of these images will be used but I will keep enough images to cover the event. I may shoot 4000+ images in a day and I need to reduce to maybe 400 to review and process in Lightroom. I prefer Photo Mechanic for my sports jobs. It is easy to delete from storage but not as easy to delete from backup. In many situations I prefer that the unnecessary stills and videos not ever get to my primary storage drives because they will make it to my backup drives pretty quickly. Shooting video now as well as stills at 20fps you can use up lots of storage space quickly. Image culling is different for each photographer and may differ from situation to situation. We are excited to announce that The Forge Food Truck will be parked near the course with delicious offerings to fill your tummy. Warm up, refuel, and listen to live music on site at Chicago Beefs during Jibba Jabba 2023. during the event for one of its biggest sales of the year! This Jibba Jabba special clearance sale will feature deals on high quality bikes, boards, and apparel! If you're feeling hungry, Chicago Beefs, The Forge Food Truck, and Keweenaw Coffee Works will all be on site with a variety of food options.Ĭhicago Beefs (right next to Rhythm) serves mouth-watering hot sandwiches, pita melts, personal deep-dish pizzas, and even has a variety of vegan options available. Make sure to stop by Rhythm Bike & Board Co. will be having a special Jibba Jabba sale during the event! | Photo by Rhythm Bike & Board Co. The party car will be equipped with speakers to fill the scene with music, a microphone, and plenty of Red Bull Energy Drinks to pass out to spectators and riders. Come prepared for a good time, as Red Bull is bringing a party car to the event. Spectators are welcome to line both sides of the Huron Street Course all the way down to the pier to experience the thrill of this exciting winter sport in a lively atmosphere. Saturday's Jibba Jabba Pro/Am event is a high-energy rail jam event that features talented professional and amateur snowboarders that will perform impressive tricks and jumps. This year, organizers will present a $1,000 cash purse for the best overall in men and women, alongside a $500 Best Trick Award from Northern Specialty Health. Saturday riders will begin warming up at 6PM, and the official competition will take place from 7-8:30PM. An awards ceremony will follow at 9PM. ALL are encouraged to come downtown and watch! If you are itching to try the course yourself, make sure to come back on Sunday (more on that later)! At this time, the course will only be open to invited guest riders who are pre-registered to compete. The Jibba Jabba Pro/Am Rail Jam event will take place on Saturday, February 18th. | Photo by Keweenaw Now Jibba Jabba Pro/Am Competition Saturday, February 18th, 2023 Jibba Jabba's builders come with over 20 years of experience building parks and a vision that will make Jibba Jabba's course unique.Ī temporary Jibba Jabba course is set up on Huron St. From the corner of Sheldon & Huron Street, all the way down to the new Houghton Waterfront Pier, you can imagine just how much snow this will take! Once the snow is on site, a group of local builders will place features on the Jibba Jabba course. The City of Houghton will bring dump trucks of snow to create the course. If you're in downtown Houghton on Friday, February 17th, swing by Huron Street to catch a peek of the Jibba Jabba Rail Jam course construction. Setting up a rail jam is no easy feat, especially when it takes place on a city street. Professional & amateur snowboarders perform tricks during Jibba Jabba. | Photos by Keweenaw Now Jibba Jabba Rail Jam Preparation Friday, February 17th, 2023 This year's blast-from-the-past rail jam event is also sponsored by Northern Specialty Health, Incredible Bank, Industrial Graphics, Red Bull, and Rodeo. has teamed up with the City of Houghton, Visit Keweenaw, Studio 13, and Mont Ripley to bring this exciting event back to life. I have a big passion for any snow sports event and anything that will bring the community together.” After a decade, Rhythm Bike & Board Co. When asked about the 2023 Jibba Jabba event, Jenn Reed, the Operations Manager & Buyer at Rhythm board & Co., told us “The city approached Rhythm to see if we would have an interest in doing this event again. It's exciting to see this beloved rail jam event return to the downtown Houghton. The Jibba Jabba Rail Jam event was created by Rhythm Board & Co. If you've been involved in the Keweenaw skiing and snowboarding scene for a while, you may have already heard of Jibba Jabba. What is a rail jam? A rail jam is a winter event in which a special course is created with rail-like features and objects that skiers/ snowboarders can perform tricks on. A unique rail jam course will be set up on Huron Street (next to Rhythm Bike & Board Co.), where professional and amateur freestyle snowboarders will attempt tricks and shred down Huron Street all the way down to the Houghton Waterfront pier. This event will be LIVESTREAMED starting at 6:50PM February, 18th on Visit Keweenaw's Facebook and Instagram.īundle up and join us for the 2023 Jibba Jabba Rail Jam in downtown Houghton. In contrast, the more complex processes place demands on verbal processes, including vocabulary ( Adolphs, 2002), and on working memory ( Phillips et al., 2008). Measurements of the perceptual processes target the ability to discriminate speedily the visual properties of facial expressions that indicate the emotion and its intensity ( Adolphs, 2002). The ability to distinguish between confusable expressions has been assessed with tests such as the Emotion Hexagon Test ( Young et al., 2002), which requires participants to name the emotional term that best describes images composed of graded blends of two confusable emotional expressions (such as happiness and surprise and disgust and anger).ĭespite the interest in the ability to identify and to distinguish facial expressions of emotion, the basic perceptual abilities that may assist the more complex processes of identifying a specific emotion by name and distinguishing between emotions remain less explored. There has also been interest in using dynamic morphed stimuli (from an emotional face to a neutral face, and from one emotion to another) to measure the point at which an emotion becomes apparent from a neutral expression and at which a change in emotion is detected ( Niedenthal et al., 2000, 2001 Montagne et al., 2007 Fiorentini and Viviani, 2011 Sacharin et al., 2012). There has been some interest in the ability to identify graded intensities of facial expressions of emotion with rating scales ( Matsumoto et al., 2000 Dujardin et al., 2004). In everyday life, however, emotions are generally expressed with graded intensity. The stimuli used in identification studies generally depict full-blown emotional facial expressions selected from validated stimulus sets ( Matsumoto and Ekman, 1988 Tottenham et al., 2009). The Ekman 60 Faces Test ( Young et al., 2002) exemplifies a recognition test that requires participants to select from a list of six basic emotions the emotion that best describes the facial expression shown. Much of this research has focused on the ability to recognize facial expressions of emotion, usually assessed as the ability to identify specific emotions by name (retrieved either from memory or a list of names) or to distinguish different expressions of emotion ( Calder et al., 2000 Matsumoto et al., 2000 Clark et al., 2008 Young and Hugenberg, 2010 Bell et al., 2011). Emotion perception has been studied in different populations including children ( Gao and Maurer, 2009), young adult ( Elfenbein and Ambady, 2002), and the aging ( Sullivan and Ruffman, 2004), and in both healthy and clinical populations ( Montagne et al., 2007 Assogna et al., 2008 Hippolyte et al., 2008 Hofer et al., 2009 Harms et al., 2010). The ability to perceive the facial expressions of emotion of others is central to the regulation of social behavior. The tasks give objective and sensitive measures of the basic perceptual abilities required for perceiving and interpreting emotional facial expressions. Individual data points were fitted by Quick functions for each task and each emotion, allowing estimates of absolute thresholds and slopes. Psychometric functions were obtained for 15 healthy young adults using the Method of Constant Stimuli with a two-interval forced-choice procedure. The stimuli were created by morphing photographs of models expressing four basic emotions, anger, disgust, happiness, and sadness with neutral expressions. We report the development of two simple, objective, psychophysical measures of the ability to discriminate facial expressions of emotion that vary in intensity from a neutral facial expression and to discriminate between varying intensities of emotional facial expression. 2Department of Psychology, Curtin University, Perth, WA, Australia.1Department of Psychology, The University of Western Australia, Perth, WA, Australia.I think if that works we can be reasonable sure that it works as intended.Michelle Marneweck 1*, Andrea Loftus 2 and Geoff Hammond 1 (The calculation takes about 5 seconds on my 1.5GHz Powerbook G4.)ħ) Save the movie by clicking "Save" in the movie window toolbar.Ĩ) Open the finished movie in QuickTime and see that it plays. See that it renders a movie where the 1 changes into a 2. Also, there should be little green lines drawn along the edges of the two shapes.Ħ) Click "Render movie" to get a QT movie of the morphing. Test basically that it launches, draws and can export a QT movie.ĥ) See that the 1- and 2-images are drawn and a preview of 5 images at the bottom where the 1 transforms into a 2. Most monster nests can be destroyed by shooting them with gem in tower or by dropping bomb on them. In fields with monster nests, monsters may spawn from a nest rather than at the edge of the field. Throughout the Gemcraft series, the monsters of the Forgotten employ several types of buildings in order to halt player progression. Towers and amplifiers can be built on walls. Monsters cannot go through walls, so they are generally used to force monsters into taking a roundabout path. Shrines cannot be demolished by gem bombs. The effect is usually more powerful when a high-grade gem is used, and the gem is usually sacrificed in the process. Amplifiers can also be placed next to the Orb to reduce banishment cost.ĭropping a gem into a shrine will activate its effect, depending on the type of shrine most shrines damage nearby monsters. In GC2, amp boost and the skill to increase amp boost are drastically reduced, but no longer suffers from boosting more than one attack building. In Labyrinth, amps would boost adjacent attack buildings in decreasing amounts the more building they had to boost, but skills could allow amps to give more than 100% boost if only one attack building is adjacent. The boosts are percentages of the qualities of the gem inside the amplifier only.Īmplifier behavior changed from GCL to GC2. They also increase tower range and, if the gem in the amp contains the same color components as the gem in the tower or trap, they can increase the effectiveness of special abilities. When amps are placed adjacent to a tower or a trap, they increase the damage and firing speed. Traps focus on increasing the special ability of the gems they hold, along with increasing the fire rate, while decreasing damge and range severely.Īmplifiers (or amps for short) were first introduced in Gemcraft: Labyrinth, using gems to support towers and traps, but lacking the ability to directly attack. Traps are also a basic building, and can only be constructed on the monsters' pathway. The most basic defense against the horde, Towers can hold gems on the field, allowing the gems to attack monsters in range. There are several types of building in Gemcraft which are useful to the player, all revolving around stopping monsters 4.7.2 Ruined Sumonning Sockets and Nodes. Each word is on one row each letter is in a separate column.
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